These settings allow you to check the quality of focus or edge details when playback is paused. With high-resolution footage, you can set playback resolution to a lower value (for example, 1/4) for smooth playback, and set the pause resolution to Full. Providing separate playback and pause resolutions gives you more control over your monitoring experience. These artifacts, however, do not show up in exported media. Below full resolution, these formats have error correction turned off, and artifacts are common during playback. This tradeoff is most visible when viewing AVCHD and other H.264 -codec based media. A lower resolution permits faster motion playback, but at the expense of display image quality. Some formats are difficult to display in full-motion playback, due to their high compression or high data rate. Each monitor also contains an Export Frame button for creating a still from a single frame of video. Insert and Overwrite buttons are available in the Source Monitor, and Lift and Extract buttons are available in the Program Monitor, by default. Set In and Out points, go to In and Out points, and set markers. Sequence In points and Out points define where frames are added or removed from the sequence.Įach monitor contains both a time ruler and controls to play back and cue the current frame of a source clip or sequence. You can set sequence markers and specify sequence In points and Out points. It’s your view of the active sequence in a Timeline panel. The Program Monitor plays back the sequence of clips that you are assembling. You can also insert clip markers and add clips to a sequence in a Timeline panel. You set In points and Out points, and specify the clip’s source tracks (audio or video). In the Source Monitor, you prepare clips that you want to add to a sequence. The Source Monitor plays back individual clips. ![]() Using the Source Monitor and Program Monitor.Latest plugins from third-party developers.Installing plugins and extensions in Premiere Pro.Troubleshoot issues related to playback and performance in Premiere Pro.How do I manage the Media Cache in Premiere Pro?.Green and pink video in Premiere Pro or Premiere Rush.Unable to migrate settings after updating Premiere Pro.Check if your system is compatible with Premiere Pro.Improving Performance and Troubleshooting.Best Practices: Working with native formats.Best Practices: Learning from broadcast production.Consolidate, transcode, and archive projects.Best Practices: Working with Productions.How clips work across projects in a Production.View auto-saves and versions of Team Projects.Share and manage changes with collaborators.Get started with collaborative video editing.Exporting projects for other applications.Exporting for the Web and mobile devices.Using HSL Secondary controls in the Lumetri Color panel.Adjust color using RGB and Hue Saturation Curves.Get creative with color using Lumetri looks.Overview: Color workflows in Premiere Pro.Compositing, alpha channels, and adjusting clip opacity.Viewing and adjusting effects and keyframes.Use Motion effect to edit and animate clips.Adding, navigating, and setting keyframes.Upgrade Legacy titles to Source Graphics.Retiring the Legacy Titler in Premiere Pro | FAQ. ![]() Best Practices: Faster graphics workflows.Download language packs for transcription.Use data-driven Motion Graphics templates.Replace images or videos in Motion Graphics templates.Install and use Motion Graphics templates.Add Responsive Design features to your graphics.Change the appearance of text and shapes.Overview of the Essential Graphics panel.Automatically reframe video for different social media channels.Overview of video effects and transitions.Set up and use Head Mounted Display for immersive video in Premiere Pro.Measure audio using the Loudness Radar effect.Advanced Audio - Submixes, downmixing, and routing.Monitor clip volume and pan using Audio Clip Mixer.Edit, repair, and improve audio using Essential Sound panel.Synchronizing audio and video with Merge Clips.Edit from sequences loaded into the Source Monitor.Find, select, and group clips in a sequence.Importing XML project files from Final Cut Pro 7 and Final Cut Pro X.Importing AAF project files from Avid Media Composer.Setting up your system for HD, DV, or HDV capture.Use Frame.io with Premiere Pro and After Effects.Use Premiere Pro in a dual-monitor setup.FAQ | Import and export in Premiere Pro.Best Practices: Create your own project templates. ![]()
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